This is a repeat shirt pattern I made for hubs for Christmas of 2016. He likes to wear novelty shirts on Casual Friday at work and he asked me for another shirt.  I showed him some fabric options and he chose Geckos in Black from Southwest Fabric, an Etsy shop run by Peggy Baird.  I ordered 3 yards so I’d have plenty for pattern matching.  Sorry for the glare from the lighting.

Check out the pattern matching on the back yoke.  Steam-a-Seam my friends.

The pattern was an easy sew and I found that stitching on black hides a multitude of sins like not-so-straight top stitching.  If you’re just starting to learn men’s shirt collars, I highly suggest doing so on black fabric and not using a contrast collar on the first (or second) attempt.

I modified the pattern to accommodate Keith’s 50″ shoulders and 38″ waist.  If sewn as drafted from the envelope, it would look like a tent around his mid-section.  He’s definitely a sport-cut kind of guy when it comes to menswear.  I also did a short sleeve.  Who wears a novelty shirt with long sleeves?

After I finished it, I hung it in his closet for him to wear.  The next Casual Friday rolled around and he comes out of the bedroom ready to go to work and he’s not wearing it.  I said, “Hey,  I go to all that work for your new shirt and you’re not going to wear it?”  He said, “There’s no pocket.”  What?  No.  That can’t be.  I went to look and sure enough – no pocket.  Ugh.

Well, that issue can be fixed easy enough…if you still have scraps.  But I didn’t!  I looked at home, I looked at our other house at the coast, I dug through every bin and by some freak of nature, I didn’t keep any of the scraps.  Now this fabric is $12 a yard and shipping is $6.70 so we’re talking another $20 for an 8″ square of fabric.  He said not to worry about it but I know he’d never wear the shirt unless it was the last one in the inventory – which never happens since I do laundry more than once a week.

So I went into my Etsy account and lamented to the seller about my stupidity and the situation hoping she still had some in stock.  I asked if I could buy just 1/4 yd of fabric if that was at all possible.  I mean I would buy a full yard if that was the rule but I was crossing my fingers.  Let me tell you about this wonderful lady.  Not only did she send me 1/4 yard of fabric, she sent it to me for FREE!  I couldn’t believe it!  I just love our sewing community.  They are the most wonderful, giving, and generous souls.  In our emails she said she completely understood the absolute need for a pocket and the fabric was on the way.  She has definitely earned a repeat customer!

Can you see the pocket?  No?

It’s right here!

He wore it to work yesterday and he said his buddy wants me to make him one and Keith told him “No, she only makes shirts for me.”   Men…

I just couldn’t let Peggy’s generosity go unacknowledged so I promised this glowing review of Southwest Fabrics on my blog.  I also had a bit left after the pocket so I whipped up a pair of pot holders for her with a thank you note.  I hope she likes them.  🙂  I put them in the mail yesterday.  I DID have a rust colored scrap just big enough for the backing.

Christmas in July?  SERIOUSLY?  Lots of the quilty blogs are featuring Christmas in July posts this month and I get it…really I do.  It’s a gentle reminder to get busy planning and making holiday and Christmas stuff.  The fabric distributors and retailers begin putting out Christmas fabric and it’s the beginning of a full shift for marketers who are aiming to guilt us into feeling like we need to add more to our quilting queue.  Like I need that!

Rather than succumb to the pressure, I decided to do an inventory of my stash and I was certain I’d find something Christmas-y to work on.  I only dug about halfway and I’ve run out of room to display what I’ve found.

As you can see, I’m a HUGE fan of panels.  They sew up quickly and make great homey decorations.  What I’m missing is backing.  While these panels are high quality quilting cottons, I’m not opposed to getting Christmas fabric from Hobby Lobby or JoAnn’s for backings because odds are, they won’t go through the wash.

Now over to kitted projects.  I found this kit at the Houston Quilt Festival in 2014 and when sewn up, it is strikingly gorgeous.  Yet, it’s been in hiding for 4 years.

I absolutely love how adorable the Santa wall hanging is with the stuffed chenille mustache and bells.  I think I bought this kit 3 years ago.  Look at those yo-yo’s!  Cute!

And let’s not forget the Christmas tree that lights up. I got this one going a couple of years ago (pre-2016) and decided to micro-stipple it on the outside of the tree on my sit-down.  After about a half hour, my short attention span kicked in and then packed it up and put it away.  For shame!  I think I will finish this one this year and take it to work.

What on earth am I going to do with this?  I DON’T color!  I have no idea where this came from or how I got it.  I think the quilt gremlins put it in my stash.

Wait!  I have an idea. Do you see the lightbulb over my head?  (It’s my ceiling fan but it works LOL)

I’ll send it to my grandkids with a set of fabric markers!  I’m going to ask DIL to get the panel back to me no later than Halloween and I’ll quilt it up for them and send it in time for Christmas!  How CUTE is THAT?  A keepsake that the kids colored!  Love it!

Now this is not to say I don’t finish Christmas projects.  I bought 2 of the Christmas Pure and Simple panels several years ago and I finished one for us.  I proudly hang it every year.  Those holly leaves in the quilting are from my embroidery machine – from Amilee Scott Designs.  Everything else is FMQ on my sit-down from my early days.

Do you all remember a few years ago when the Rudolph fabric was all the rage?  I finished that one.  There isn’t any quilting on it other than STID.  But I bring it out every year and it really adds to the kid-feeling of Christmas around here.

So now for this year’s Christmas in July…  Remember that Christmas Pure and Simple panel I made?  There are small pretty panel pieces on the top and bottom and I still had those from the one I made for here at home.  I decided to make them into mug rugs or coasters.  This is an absolutely perfect project when you have zero time and tons of scraps.

The backing is left over from the Rudolph quilt and the batting is from an unknown quilt project.

This is a great opportunity to use those little used decorative stitches on your machine that are never used.  Be sure to test them on a scrap first.  I didn’t like my first choice (small green triangles…I thought they resembled Christmas trees…but no).  The pattern on the farthest left is what I ended up using on the first coaster.  Yes, those are black button hole stitches from another project.  🙂  I ALWAYS test my button holes.

This took me about 15 minutes to sew up these four panel pieces.  I just made a decorative stitch around the outside of each one and then did a single straight stitch around the circles and squares.

To avoid binding, I like to pink the edges.  I discovered that pinking shears are very overrated.  This was my first time to use the pinking rotary cutter.  I’ll NEVER go back!

Here they are!  All finished!  I’ll stitch up the other 4 later this week.  Christmas in July?  Done!

I challenge you to dig through your stash and get busy!  I’m sure you have a project or two waiting patiently.  🙂

For those who have been following my blog for any length of time, you know I’ve been griping about having long, dragging stitches in my quilts. This issue has been plaguing me since I bought my longarm back in Nov 16. There have literally been crying tears, screams, stomping, and tantrums as I could NEVER solve the problem. I could kind of solve it somewhat, but never completely. I have the King Quilter 18” (a Tin Lizzie), a Quilt Butler computer, and a Grace GQ frame. $15k worth of quilting equipment that hadn’t worked right since I got it. Faith, my friends. You must have faith. And wine. Wine definitely helps.

One day (a year ago?) in my local quilt shop, I was lamenting about my problem and one of the employees said, “It sounds like your carriage doesn’t understand what your computer is telling it to do.” Hmmm. Interesting. So I got to looking under the carriage and sure enough, there were spots on the frame where the wheels of the lower carriage didn’t touch at all. Like completely free-spinning! And where the wheels weren’t touching the frame, is where the long stitches occurred. Now this sounds like I figured it out that day. No…my life doesn’t work like that. First I fiddled around with the encoders, then I messed with leveling the frame again, then I worked with realigning the tracks to make them parallel by taking the frame completely apart (twice) and putting it back together. I’ve fiddled with the alignment of the wheels on the carriage to make them fit the tracks in the troubled spots – but then they didn’t fit on the other parts. Needless to say, there has been a host of adjustments made to my frame and my carriage over the past 19 months. Everything is level – everything is parallel. SO WHAT THE HECK IS THE PROBLEM??? Grrrr.

Then this week I FINALLY came across a way to definitively identify the root cause of the problem. In a nutshell, it was the tracks not being perfectly parallel, but finding that out was not as easy as it seems. If you only measure the parallel-ness (not a word but you know what I mean) sporadically on the frame like left/right/center, you don’t get the true picture. A laser level is the ONLY way to know and get it right because the tracks may be the EXACT same distance apart at each end of the frame, but in the middle of the frame there may be a tiny point where it twerks to the left or right 1/8” and then 3 feet later, it’s a full 1/2” off, but it’s still parallel to the track across from it. Like the entire frame takes a left turn at center where the two halves come together.

Here’s an example of long stitches in the tan triangles.

Last Sunday, because use of the computer causing long stitches, I decided to use a pantograph to complete a quilt I need to get in the mail next week. So I printed out the pantograph on legal paper and taped the sheets end-to-end and laid them out on the frame table. They didn’t match exactly across the bottom edges but that was probably due to my lousy paper cutting and taping skills. Then I put my plastic grid on top of the pantograph and lo’ and behold, it would not lay straight on the table from one end to the other. If I forced both ends to rest solidly against the inner edge of the track on the frame, the plastic grid bubbled in the middle like a ski slope. Huh? What thuh? (I don’t have time for this – it will be fine.) Famous last words…

So I just let it go and let the grid lay flat wherever it wanted to, attempted to do the panto anyway, and the bobbin tension was so bad I had to rip it all out after 3 minutes. Did I mention screaming earlier? Yes, it was one of those days. No worries, I was alone in the house.

After the panto debacle, I decided to leave that project alone and trim up another quilt that was ready for binding. I laid out my two 36” Olfa green cutting mats on the frame, end-to-end (so I can trim the whole side on one go) and guess what? While each mat was laid straight against the inner edge of the track on the frame, they didn’t meet in the middle exactly – there was a 3/8” gap between them at the bottom edge – the gap formed an upside down V. If I forced them to exactly meet on the short end of each other, the left one didn’t sit flush against the straight edge of the track. Why? WHY? BECAUSE THE FRAME IS WONKY!! That’s why! My husband walked in the door just then and I’m dancing around going, “LOOK! LOOK! THIS IS THE PROBLEM!!”

He got his laser level and look. The laser light device is flush with the edge of the metal track making the laser beam start 1/2″away from the track. However, the ending point of the laser closest to me is touching the edge of the track. Where did that 1/2″ go? Mind you, the measurement between the tracks at the end of the frame show them to be parallel, so the issue kilters near the center of the frame.

Hubs loosened the screws under the frame, made a few bangs of a rubber mallet from the underside of the tracks and then tightened the screws and NIRVANA! We spent about an hour going back and forth, slowly up and down making sure that all wheels touched the frame completely at every inch. And if they didn’t, we gave the tracks a little tap to one side or the other. We did the front track first and then the back track. Here’s the laser showing the correct position.

The moment of truth came last night when I reloaded a quilt I’d removed for long stitches and the machine and computer and frame worked perfectly. Like completely, totally perfectly, PERFECT.

Even the tension looked smoother than it ever had.

I have a happy, happy Longarm quilting machine! And Becky is a happy, happy girl! Remember…faith!

Someone had asked on a Facebook group that I am in for long arm quilters how we stored our works in progress. Several months ago I found the perfect solution at Sam’s Club. The ArtBin 12″ x 12″ box.

The ArtBin box has been an awesome find! It is a heavy duty plastic that has latches and a handle for easy carrying. I have not noticed any plastic smell inside the ArtBin and there has not been any color transfer from the boxes that I have purchased.

Here is a pic of the label so you can see exactly what it is.

The ones I found at Sam’s Club were tinted in different translucent colors. I love that they are translucent so that I can see my projects inside without having to open the box.

I found them at Joann’s Fabrics online and they are about $10 each. I don’t remember what I paid for the four box bundle at Sam’s Club.

This 12″ x 12″ box holds everything I need to make a quilt. I like using precuts so it even holds a 10″ x 10″ layer cake with no problems. I love that I can put everything together from fabric to thread and pattern and keep it all in one place. Then I can close it up and take it wherever I need to go. It’s also very handy to store everything in one place in between sewing sessions.

How how do you store your works in progress?